The K-pop world is buzzing with the latest drama surrounding NewJeans—or should we say, NJZ? Amid their ongoing feud with Ador and Hybe, the group has announced a name change, but Ador isn’t having it. They’ve sent formal requests to media companies asking them to stick to the original name, arguing that ‘NewJeans’ remains under their intellectual property. This raises a crucial question: Can Ador legally force media companies to use ‘NewJeans’ instead of ‘NJZ’?
There have been a lot of discussions surrounding the lawsuits against ADOR, so let ’s break it down in a simple and straightforward way. Recently, all lawsuits filed against ADOR have been dismissed. However, there’s been some confusion about what this actually means. Let’s clarify.
Plagiarism is a big word in the creative world, and it often sparks debates about originality, inspiration, and legal rights. But what exactly counts as plagiarism? And when does it cross the line into copyright infringement? Let’s break it down with some famous cases and insights.

Music Industry & Trends
Published March 8, 2025
The Truth About Western Validation in the Music Industry
There’s an ongoing debate about Asian artists trying to break into the U.S. market, often labeled as “seeking Western validation.” But why is this seen in such a negative light? After all, no one accuses artists who expand into Japan or China of chasing “Eastern validation.” So what’s the big difference?
Understanding the Double Standard
When BTS worked hard to make a name for themselves in the U.S., critics called them “sellouts” or accused them of craving Western approval. Yet artists like BoA, TVXQ, and BTS themselves have long been celebrated for their success in Japan without any backlash. So why does breaking into the U.S. feel so different?
The answer may lie in history. Some argue that disdain toward the U.S. stems from its colonial past, but countries like Japan and China have their own histories of colonization too. Others point to America’s influence on global politics and economics, positioning itself as a dominant power. Whatever the reason, it seems the resentment is focused specifically on the Western world.
Is It Really Western Validation?
When artists expand their reach, are they really seeking validation? Or are they simply trying to grow their audience? Singing in English or collaborating with Western artists doesn’t automatically mean they’re abandoning their roots. Many Asian artists collaborate with other Asian acts as well—it’s simply a smart way to reach more people.
Take the example of BTS’s sold-out concert at Wembley Stadium.
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It was celebrated globally because it was a remarkable achievement, but had they sold out a massive venue in Japan, the excitement likely wouldn’t have been quite as intense. This isn’t about favoring the West—it’s about reaching new milestones in different markets.
Why the U.S. Market Matters
So why pursue the U.S. instead of other major markets like Germany, France, or Japan? The truth is, the U.S. music industry is far more open than many European or Asian markets. Japan and Germany are known to be highly protective of their own entertainment industries, making it harder for foreign artists to break in. The U.S., on the other hand, is built on cultural diversity and has historically welcomed international influences.
Plus, English is one of the most widely spoken languages in the world. That alone makes it easier for artists to connect with listeners globally when they expand into the U.S. music scene.
Embracing Globalization in Music
The music landscape is changing rapidly. With the rise of global connectivity, artists no longer need to “seek validation” to reach international audiences—they’re simply taking advantage of the expanded playing field.
Instead of criticizing artists for stepping onto the world stage, we should celebrate their ability to introduce their culture to new audiences. By showcasing their heritage through music, they’re claiming ownership of their identity and ensuring that their culture isn’t misrepresented or overlooked.
As fans, our role is to support these artists and their efforts to share their stories with the world. Music has the power to unite us, and embracing cultural exchange can only strengthen that connection. So let’s focus less on labels like “Western validation” and more on celebrating the incredible diversity that global music brings to the table.
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